ANU researchers have developed ultra-precise optical coatings for LIGO’s specialised beamsplitters, helping improve the observatory’s ability to detect faint gravitational waves from across the universe.
Historian and biographer Paul Strangio joins Mark to dissect what makes — and breaks — an Australian prime minister, drawing on his newly shortlisted book The Alchemy of Leadership: Seven Australian Prime Ministers in a Turbulent Twenty-First Century.
As Llewellyn Hall marks its 50th anniversary, Emeritus Professor Larry Sitsky reflects on the musician and friend for whom the hall is named.
The Australian National University acknowledges, celebrates and pays our respects to the Ngunnawal and Ngambri people of the Canberra region and to all First Nations Australians on whose traditional lands we meet and work, and whose cultures are among the oldest continuing cultures in human history.
Katie Sutton is bringing to life the overlooked histories of gender-diverse and neurodivergent people.
As Llewellyn Hall marks its 50th anniversary, Emeritus Professor Larry Sitsky reflects on the musician and friend for whom the hall is named.
Cecilia Millar-RakisitsWhat did ordinary Romans really think of their rulers? Professor Caillan Davenport’s new book draws on juicy rumours and gossip to reveal the answer.
Luis PerezFrom dardy to turbo chook, ANU is calling on Australians to uncover the colourful local words and phrases that make our regional vocabulary unique.
Natalia BurgessPhD scholar Lhendup Tharchen has spent his career tracking big cats and wants to ensure the apex predators can coexist with humans.
People who meet their romantic partners online report lower levels of marital satisfaction and experience love less intensely than those who meet in person.
Once the pillar of democracy, the US now flirts with authoritarianism.
ANU alumna Dr Vanessa Pirotta is on a mission to inspire the next generation.
Associate Professor Robert Wellington is using art history to speak truth to power.
As Adam Goodes played out his 372-game career, millions of his movements were turned into data. Who collected it all? Who controls it? And, most of all, who should? His work with ANU artist Baden Pailthorpe raises these questions, and more.